B- Yorgos Lanthimos. Colin Farrell Reunites With His Lobster Director for the Terrifying Killing of a Sacred Deer. Share this. A n open heart throbs as the orchestra swells. Yorgos Lanthimos’s twisted feature continues in similar fashion, refusing to shy away from the grim themes at its dark heart, no matter how much the audience might want some respite. Genres: Psychological Thriller, Tragedy. movie review Updated Oct. 19, 2017. Lanthimos dares you to get on his wavelength, then leaves you just hanging there. The Killing of a Sacred Deer is haunting and singular and strange, but it’s also icy, remote, and too enigmatic. The Killing of a Sacred Deer, director Yorgos Lanthimos’ follow-up to his weirdly compelling The Lobster, draws on Greek mythology for its title and its central conceit, a sort-of modern-day Sophie’s Choice.The film exists deep in a metaphorical hellhole - a quasi-parallel world where doctors play god and police investigations apparently don’t exist. Coming off critical acclaim from his previous work The Lobster (which also starred Colin Farrell), Lanthimos gives us more of a horror movie this time around. It takes a long time to structure and an audience needs some sort of ratification by the end. On review aggregator website Rotten Tomatoes, The Killing of a Sacred Deer has an approval rating of 79% based on 268 reviews, with an average rating of 7.67/10. Save Colin Farrell in The Killing of a Sacred Deer. The Killing of a Sacred Deer is a darkly funny, yet emotionally draining slow-burn with exceptional acting, that will no doubt sucker punch you in the stomach – and not apologise for it. Steven, a charismatic surgeon, is forced to make an unthinkable sacrifice after his life starts to fall apart, when the behavior of a teenage boy he has taken under his wing turns sinister. The Killing of a Sacred Deer crafts an excruciating atmosphere, clawing its way, mercilessly, under your skin over a shocking, almost blood-curdling 121 minutes. Rated the #35 best film of 2017, and #3326 in the greatest all-time movies (according to RYM users). Winner of the Best Screenplay Award at this years’ Cannes Film Festival, The Killing of a Sacred Deer is a twisted journey through the mind of modern-day visionary Yorgos Lanthimos. It is fantastical and darkly absurd, an uncomfortably hilarious and thoughtful look at relationships and the sacrifice one makes under impossible circumstances. Robbie Collin, Film Critic The Killing of a Sacred Deer review: the weirdest, most mesmerically unsettling film of the year 5. ‘The Killing of a Sacred Deer’ is too slow paced for a mainstream audience. Read the Empire Movie review of The Killing Of A Sacred Deer. The camera slowly zooms out, revealing in big letters, like a billboard: The Killing of a Sacred Deer.With unrepentant bombast—and, one imagines, a smirk—Yorgos Lanthimos announces, in just the first shot, that this is his film, and he doubles down on the stylistic tics that define his polarizing work. Colin Farrell must kill Simpson, not to mention touches of Monty Python. The website's critical consensus reads, " The Killing of a Sacred Deer continues director Yorgos Lanthimos' stubbornly idiosyncratic streak—and demonstrates again that he is a talent not to be ignored." 2.5 out of 4 stars. The Killing of a Sacred Deer is yet another frontal attack on patriarchal assumptions, in which an emasculating father figure must face his own hubris. Yorgos Lanthimos’ “The Killing of a Sacred Deer” is the kind of movie that you watch with two simultaneous emotions: fascination and the desire to leave immediately. Parents need to know that The Killing of a Sacred Deer is a psychological horror movie about a troubled family and a kind of curse that befalls them. Directed by Yorgos Lanthimos. It's very violent and disturbing, with lots of blood/blood stains, as well as punching, slapping, biting (and spitting out chunks of flesh), bleeding from the eyes, gun use/shooting, and death. With Barry G. Bernson, Herb Caillouet, Bill Camp, Raffey Cassidy. There was no explanation for a lot of the weirdness or for why the characters acted the way they did. The Killing of a Sacred Deer Steven (Colin Farrell, "The Lobster") is a respected heart surgeon with a beautiful wife, Anna (Nicole Kidman), two lovely children, 14 year-old Kim (Raffey Cassidy, "Tomorrowland") and 12 year-old Bob (Sunny Suljic), and a stunning home. "The Killing of a Sacred Deer" is a weird, intriguing but absolutely disappointing and overrated film. Killing Of A Sacred Deer incelemesi [Semih ispir] (Turkish) Kino-zeit [Beatrice Behn] (German) Kinofilmwelt [Christopher Diekhaus] (German) Kunstund Film [Lars Penning] (German) L.A. Biz [Annlee Ellingson] LA Weekly [Bilge Ebiri] Las 1001 Películas [Nicolás … (our review) hadn’t just been released, it would be easy to say that Yorgos Lanthimos‘ (The Lobster, Dogtooth) latest film, The Killing of a Sacred Deer, would be the most polarizing film of 2017. Review by Trevor Johnston. The filmmaker’s latest is an unrelenting descent into the abominable, a disturbing exploration of one father faced with an unthinkable choice as his mistakes and guilt return to haunt him with a ghastly vengeance. The Killing of a Sacred Deer kicks off with close-up footage of heart surgery, the camera lingering on the bloody insides of a chest so the audience has no choice but to drink in the gory details. It is an unforgiving, unflinching and taut psychological horror-thriller that paints a stark and striking portrait of revenge and reprisal. 2 talking about this. We believe in … THE KILLING OF A SACRED DEER seems like a horror movie above all, but it has elements of black comedy, suspense, psychological thriller, and drama as well. Starring: Colin Farrell, Nicole Kidman, Barry Keoghan, Raffey Cassidy, Sunny Suljic. What Killing of a Sacred Deer does best is establishing an uncomfortable, disconcerting and tense atmosphere, mainly down to its use of music and sound; the score is reminiscent of the one heard in The Lobster and additionally, there are certain musical pieces and sounds that are incredibly jarring and relentless, providing a jump scare or two. By Emily Yoshida. Colin Farrell and Barry Keoghan in The Killing of a Sacred Deer (Photo: A24 Films) In The Killing of a Sacred Deer, the director’s talent is on vivid display, but the story falls short. The Killing of a Sacred Deer. The Killing of a Sacred Deer follows the unlikely commercial success of The Lobster, Lanthimos’s first English-language film, which saw him playing his characteristic games with words and surreal logic, and that assembled a starry international cast for a black comedy bearing echoes of theatrical absurdists from Ionesco to N.F. Following 2015’s acclaimed The Lobster, Yorgos Lanthimos broadens his fascinating foray into the conceptually bizarre with The Killing of a Sacred Deer. The Killing of a Sacred Deer is directly concerned with fate, with cosmic punishment of human hubris, with our so-called free will crumbling under the uncaringly cruel banalities of the universe. The plot and the performances are cold, without heart, and has scenes absolutely unnecessary, like Anna masturbating Matthew in the car or the cameo of Alicia Silverstone. The ending will not suffice but more rather disappoint. 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